Rating: 
Genre: Comedy/Drama
Release date: October 21, 2011
As we get ready for the Ra. One Juggernaut next week, this Friday was something like a timewarp. Nobody wanted this week to come – not the producers, not the distributors and certainly not the audience. So, we had a couple of movies which would otherwise not see the light of the day, one of them being Be-Careful. Here is a complete review of the movie, Be-Careful.

Plot and Script Review

No semblance of a plot.
Be-Careful may be one of the most curious movies of this decade. This seemingly B grade movie stars Rajneesh Duggal, Tanisha Mukherjee, and a host of other small time and character actors, starting from Johnny Lever, Sanjay Mishra, Shakti Kapoor, Rajpal Yadav and others.

The most curious part of this movie is what Rajneesh Duggal and Tanisha Mukherjee are doing in such a badly made movie. There is no script, there is no screenplay, and for a movie that promises to be a comedy, there are just a few lame jokes and here there. Rajneesh Duggal, who made an impressive debut in 1920 and Tanisha, who is basically Kajol’s niece, and cut her teeth with a Yash Chopra and a Ram Gopal Varma movie, seem completely out of place in this harebrained endeavor of a movie.
Sam and Andy are two philandering married men, who are caught red handed by their wives, Anjali and Kiran. As a punishment, their fathers make their wives their bosses, and the two, finally unable to take it, devise a plan where they take a trip to Bangkok, away from their wives’ prying eyes. However, at the hotel, they meet the Hotel manager, Panditji, who runs something like a hostel with strict rules and discipline. But of course the two will not have any of it, and they come up with some plan to have fun in Bangkok, the plans that don’t work for them actually.
To be frank, we reviewers do not like to come up with completely negative reviews, we understand the effort and time that the cast and crew of the movie has put up to come up with the movie. But once in a while there are such unredeemable movies, of which we cannot make out anything.  The plot is inane, the script is just scattered around, and any experienced reviewer will tell you that the major chunks of the movie have just been cut out.

Screenplay and Direction Review

No screenplay, no direction. This one is going on its own.
In the US, they have a concept, any B grade movie that depends more on the cleavage of the female actors than the script and screenplay are termed as ‘T&A’ movies. Since this is a family website, will not go into describing the term, but Google it and you will find out what it is all about. The direction is a farce, where Chandrakant Pandit suddenly does some weird kind of camera jerks that he thinks are funny. Moreover, the movie takes every lame, racist, and sexist gag in the book and throws it at the audience in full 70 mm glory. Watching these movies, we sometimes wonder whether the NCW should spend time after the aesthetically made movies, or bring out the big guns for inane, sexist stuff like this one.

Basically, nobody has any role in this movie. The director acts like someone who just comes up with some ideas in the middle of the movie. There is no reason why the director falls in love with close up shots somewhere at the far end of the movie, and there is no reason why there are so many characters interspersed in the movie all over.

Performances Review:

Bad performances all around.
Apart from the supporting cast, nobody delivers. Even Tanisha seems to be talking to the camera a lot of times. Rajneesh Duggal is wasted in the role.  It is Johnny Lever, Shakti Kapoor, Tiku Talsania and Asrani who come up with a better performance here.

Music Review

The worst eighties music ever possible.
The less said about the music the better. Apart from the first song, and the one in between, the brooding song, there is just one more song, which is kind of an item song that is picturized on Tulip Joshi and another one about tomfoolery. The lyrics are childish, the music composition is kiddish.  Basically, there is nothing about the music that can be salvaged, apart from the two tracks.